“John Chrysostom, Divine Liturgy, in a Latin translation, ff 2r-29v, followed by the Greek original, ff 30r-59r. The Latin text differs from that in printed editions. Likely created in France, probably Paris, between 1502-1506. Illuminated initials (ff 2r, 30r) and border (f 2r) of late French style. 16th century binding of light brown leather, blind-tooled, the panel formed by fillets alternating with four rows of impressions of a stamp of interlaced arcs of lattice work, five dots within the interlacement. The border is formed of lozenges enclosing roses. Brass clasps (one broken). Gilt and gauffred edges. The boards are from 16th century printed books: a Latin grammar with examples in French, a Latin servicebook, and another book in French. No indication is given of where Curzon acquired the item (either in the MS or in Curzon’s Catalogue), but the manuscript was in Rheims in the 16th and 17th centuries, and was quite possibly acquired there.” (O’Hogan 2015b)